From a technical level you should use something lossless in this situation, but it really quickly becomes impractical. Actually lossless 1080p60 is going to be something like 500mbps, so if you’re playing for an hour I hope you have a spare 2tb drive laying around. The artifacts in really high bitrate compressed video are so minimal that they basically don’t matter. Often codecs do noise removal first thing so whatever minor artifacts still exist will get smeared over by that anyway.

Also when you are testing make sure there’s some movement in the video. AV1 especially has modes for presentations and things that basically make a PowerPoint, so sizes might be unrealistic if you’re just recording your desktop. I don’t think that gets enabled in handbrake but it’s been a while since I looked.

If you’re seeing any artifacts in the original video, you probably need to re-record in a higher bitrate. It needs to look identical to uncompressed. Your later encodes will be trying to encode all the artifacts in the original video, which could be why the file sizes keep getting bigger - you’re giving it noisier video than the original.

50mbps for recording as an intermediate like that is well within the realm of normal. You can try having obs record in 264 with a quality setting instead of a bitrate setting, which can save space when things are more static - something like cq 6 or lower can do pretty well.

Unfortunately, yeah finding the sweet spot does take forever. One thing I would recommend is once you have an idea where you want to land, try a few much longer videos and see what the differences are. Slower paced sections might compress much better than the fast action stuff in one codec or another. Again it’s all kind of a balancing act on where you want to be.

In the third screenshot, preset is on 7, change that to 4. That’s the speed setting - 7 is trying to do it in close to real time, 4 will take much longer but be much more efficient.

Can you post a screenshot of your Handbrake settings? You should definitely be getting better efficiency than that.

Because it’s just for personal archival, I would recommend recording in super high bitrate 264 or 265 depending on what your card can do in real time, then compressing that file later using either av1 or 265, depending on which works better for the content.

If you’re playing in 1440p165, then you should record that to start although if it’s an option I would play and record at 1080p120. 1440 is a bit of an odd duck resolution that some stuff doesn’t really like, but it’s getting better all the time so it’s not a huge deal. More important is 120fps because if you decide to go down to 60 or even 30fps they split evenly, which is important since it means the extra frames just get thrown out. There’s no 82.5 frame so it either has to blend two together or pick one that’s at the wrong time, and neither looks good.

Record in OBS using like, 25-40mbps in whatever your graphics card can do realtime, with all the audio tracks in something lossless like FLAC. High enough it might as well be uncompressed.

Once you have your gameplay recording from OBS, use either Handbrake or FFMPEG to convert it to your long term storage format. Since this is such a big project I would make some samples using cheats to get an idea what the bullet-hell-iest parts will look like, then try a few different handbrake or ffmpeg settings, and see what gives you the tradeoff of file size and quality that you like. It’ll also give you a ballpark idea about how much long term storage you’ll need.

Non-realtime encoding like ffmpeg and Handbrake is much more efficient than realtime done by your graphics card, like on the order of like half the file size for the same quality - that’s why you want the two step process. It also allows you to play in 120fps for that responsiveness, but watch at 60 or even 30fps to save some file size.

When you set up handbrake, you’ll have a few settings to play with and make samples from - encoder, quality level, speed, fps, and rescaling.

Encoder is probably the most important. Use either x265 or SVT-AV1. In my experience, they’re close in terms of efficiency, but AV1 pulls ahead in certain situations. AV1 is more efficient about large static sections and when it breaks up it just looks blurry. 265 is better at retaining texture, but when it fails its gross digital blocks. 265 is faster than AV1, but when you push AV1 and it takes 1000 years it does a better job. Basically, run a lot of tests and then decide.

Scaling is where you go from 1440 to 1080 and is probably the least important for file size. I honestly wouldn’t bother with it, but you can try. Like I said, technically some TVs don’t like 1440, and everything supports 1080, but I wouldn’t worry about it too much.

FPS I have the least experience with. My guess is that going do something lower is going to save you some size, but its really going to depend on the codec and the content.

Quality level is the most important setting - just set it to what you think is watchable. It doesn’t use a bitrate, it adjusts the bitrate to get a constant quality level, so it’s much more efficient. It’s important to note that they aren’t exactly the same at every speed setting, so be careful.

Lastly is the speed. 265 goes from very fast to very slow, and AV1 goes from 9 (fast) to 0 (stupid slow). Personally I use slow or very slow for 265 and about 4 for AV1, but if you have a lot of video to crunch through you might want to crank that up a bit.

For audio use OPUS. 96 is the default “bitrate” and I find it to be enough. Some players don’t like it but if you’re thinking about using AV1, anything that would support AV1 supports opus.

The main thing will just be doing a bunch of video encode samples and finding the settings and workflow that’s right for you.

Something actually changed and now there’s a carry-on not included tier ticket. I wrote more in my other comment in the thread.

After having to fly United a bunch of times this summer, they changed the names of the tickets and invented a new “no one wants that” tier.

There’s now standard economy which is what everyone’s used to and gives you a “personal item” (i.e. a backpack or a purse) and a “carry on item”, and basic economy which only includes the personal item. They mention it on their website, but on third party websites its not quite as obvious which ticket you’re getting.

It has been a nightmare - on every single flight there’s a crowd of people pissed that they aren’t allowed a carry on with their ticket, with them having to run halfway across the airport to upgrade their tickets or pay 3x as much for a bag they thought was included.

If you’re being charitable, it’s a roundabout discount on checked bags to fix the problem they invented by charging for checked bags and then sucking at handling them. Every single flight I took had them asking for people to check their carry on for free because the bins were going to be overloaded, and it seems like they want to incentivize actually checking a bag again.

I started instantly asking them to gate check my carry on (for free) because honestly, the airport experience is way nicer when you don’t have to deal with your luggage all the time. If you check 1 bag as a couple you might even save money, and if you’re alone it might be worth the difference to not have to worry about only having two pairs of pants on your three week trip.

More realistically they want to normalize having to pay for carry on the same way they did checked bags, and they are trying to sneak around that by starting with only their new BS economy tier. Wouldn’t surprise me if they got rid of “basic” and just made carry on a “business class” or whatever amenity.

Mot and Monstrum? Why target me so precisely?

https://www.pbs.org/video/mothman-americas-notorious-winged-monster-ivhuou/

The way I’ve been thinking about would be to have the “meta community” be a separate thing from each individual community. Each individual community would opt in to joining, and would retain their own moderation and users, but the posts would be sort of cross posted to the meta community. The meta community mods largely just deal with removing posts that don’t fit. All the comments go on the original instance of the post and are moderated there, so the meta community mods might be allowed to moderate those comments on an opt in basis.

The idea is that it’s for very similar communities across different instances, but because it’s opt in there are probably other uses. The hope would be that each individual community could retain their vibe, while the meta community would have more of a firehose of content, and possibly filter some of those topics back down for more in depth discussion.

I’d also love for individual users to be able to group communities for themselves, and for those to be shareable, which seems much quicker to implement.

Do you mean specifically webcam drivers? Because Magic Lantern still works as far as I know?

https://www.magiclantern.fm/

the not removable Google search on the home screen and non removable date on the home screen means that I will never buy another Google phone.

I’m fairly sure that’s just a launcher limitation, you can swap out the entire launcher to whatever you want. If you don’t want something radically different I think lawnchair is still around.

https://lawnchair.app/

Seems like it could make wrestling news confusing.

Yeah, it feels like the entire time he’s really trying to link these games to actual deaths during war that seems pretty tenuous, largely due to his own “ick” factor that “his thing” is being used by the military.

The section in the middle where he essentially asks all his interviewees basically “have you killed anyone” is pretty awkward. Like, of course these people don’t really want to talk about that. Nobody wants to go around thinking they’re directly responsible for preventable deaths. It’s like he wants someone to just say “Am i the baddie?” like that Mitchel and Webb sketch.

It also completely glosses over the way that “play” is often just training for something more violent. Tag is a fun game until someone brings a knife. But there’s a world of difference between “you sunk my battleship” and the Bismarck. It’s like he’s somehow taken the stance that video games cause violence in the most roundabout way possible.

It’s a shame because the video is good but it could be so much more interesting diving into examples about how these games actually work and are used instead of hemming and hawing the whole time over his imagined Cluedo to murder piperine.

IDK, it’s been a long time since I watched the episode but isn’t that literally the point? That any amount of critical thinking makes their views make no sense?

Ok, I’m a bit out of the loop but is Deadlock actually any good? Like, most of what I’ve heard is that it just isn’t very fun. Even though they kinda fell apart the auto battler and the card game from Valve were generally fairly well received from what I remember. But everything I’ve heard about Deadlock is that it’s not fun, and is bringing the worst elements of DOTA with it.

Maybe since it’s barely even a thing yet, it might wildly change since that’s part of the Valve MO.

Ah, ok. The Unifi stuff is a bit weird like that. I recommend installing the controller on a computer if you continue to have issues. You don’t have to run it all the time, just use it for config and then turning it off is fine. It’ll give you way more information and control over exactly how the AP is set up.

Which model is it? As far as I’m aware all the Unifi APs need the controller for config. It doesn’t need to stay running unless you want a couple features for large deployments but you do need to run it to set things up initially. The Air Max / uisp lines are the ones with web based config.

Do you have a continuously running unifi controller or is it only running when you do the config? Does it do the same thing with the controller opposite to how it is now (ie if you aren’t running it does it do it when you leave the controller on)?

Are you running the 2.4 and 5 as separate SSIDs or the same one?

Are you on the latest controller and firmware?

Custom keyboards took off because of mechanical switches. Back in the day people wanted mechanical switches because they last longer than membrane ones, and so you wound up with a bunch of companies producing relatively easy to manufacture mechanical switches. Those switches all felt and sounded a little different so you got people who wanted a specific feel and sound and it grew from there.

There hasn’t really been the same push with mice because even really cheap ones work really well. Optical sensors are way harder to produce than key switches, and while there are a few different ones on the market other than dpi and polling rate they kind of all act the same - it kind of either tracks right or it doesn’t. There’s no differentiation unlike switches that are “tactile” or “linear” or “scratchy”. And because of size restrictions you can’t really have the same kind of switches as keyboards use for the buttons. And unlike the really niche keyboard people who do their own PCB and machine their own case, making a good mouse on your own from scratch is way more difficult. They’re weird shaped and it’s much more difficult to change things like optical tracking algorithms compared to macros on a 40% keyboard. You can do a run of 100 super niche keyboards and make it work, but just the injection molds for one mouse mean you need to make 10000, which stops it being a project and makes it a business.

There are premium mice manufacturers, but in general they either are going super light, super ergonomic, or super functional - and honestly they have a hard time competing with a company like Logitech that can produce really similar features for a fraction of the cost and have a decent reputation to boot.

I believe you can change the scaling algorithm obs uses? Right click the source and go to “scale filter” is what Google is telling me, not at a computer right now. I think it defaults to bicubic which should be ok though? The switch does its own internal scaling a lot of the time and that can look pretty bad though, but unless you get into some serious shenanigans that’s basically baked in.